George Bataille’s The Tears of Eros unfolds, innocently enough, as a simple timeline of the history of eroticism in art. According to Bataille. The Tears of Eros is the culmination of Georges Bataille’s inquiries into the relationship between violence and the sacred. Taking up such figures as Giles de . Inspired by Georges Bataille’s essay Tears of Eros, this short hybrid film/video is about erotism and death. Through different analogue manipulations of the.

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The Tears of Eros by Georges Bataille. Tears of Eros is the culmination of Georges Bataille’s inquiries into the relationship between violence and the sacred. This essay, illustrated with artwork f Tears of Eros is the culmination of Georges Bataille’s inquiries into the relationship between violence and the sacred.

This essay, illustrated with artwork from every era, was developed out of ideas explored in Erotism: Death and Sexuality and Prehistoric Painting: Lascaux or the Birth of Art. In it Bataille examines death—the “little death” that follows tsars climax, the proximate death in sadomasochistic practices, and death yhe part of religious ritual and sacrifice.

He was a librarian by profession. Also a philosopher, novelist, and critic he was founder of the College of Sociology.

InTewrs began Tears of Erosand it was completed sroshis final work. City Lights published two of his other works: Story of the Eye and The Impossible. Bataille died in Paperbackpages. Published January 1st by City Lights Publishers first published To see what your friends thought of this book, please sign up.

To ask other readers questions about The Tears of Erosplease sign up. Lists with This Book. Jul 18, Eddie Watkins rated it really liked it Shelves: The doors of my mind have only recently opened to and been opened by Bataille, so what I say about The Tears of Eros will necessarily be batxille of a novice.

We have th in our house a woodblock print ot by a friend of ours of a gaunt and cigarette smoking Joan Didion. Worked into baaille portrait is a quote of hers – I know what nothing means and keep on playing. I read it as an inspirational message, as does my wife, but I know our individual interpretations of it are fundamentally different, though I have no interest in discussing this difference of interpretation with her.

It is enough that the phrase has significant meaning, however different, for each of us. It means so much to me because in recent years my spiritual path or search for authenticity has become centered on nothingness. Truth exists, but only as founded on nothingness, which for me means that no thought or construct of meaning can contain truth. Faith too often is nothing more than faith in a pat and simple-minded thought. My concern is to be, to go, beyond thought, and to play as if suspended in this profound void of non-thought spewing forth thoughts, ironically.

In The Tears of Eros this nothingness, this ineffable peak beyond all thought, is illustrated by an ancient cave painting. In this cave painting a gored buffalo with entrails spilling out is charging or has charged the man responsible for its mortal wound. This man is apparently dead or dying, a victim of his victim the charging thr, and tearx sporting a quite prominent erection. This painting serves as a kind of flashing window, a window flashing in and out tthe apprehension, into the charged nothingness that Bataille pursued to the ends of his thoughts, and beyond.

An even more extreme and illustrative example of his concerns is saved for a very brief discussion at the end of the book. It is a photograph of a Chinese man undergoing horrible torturous mutilation. Bataille asserts that the face of this man, with eyes raised bataile a la St. Joan of Arc, is expressing a kind of joy or transcendence coupled with extreme pain and despair obviouslyand so has served as profound inspiration for him he owned a copy of the picture and spent much time contemplating it.

At times his fervor to believe what he himself was writing led him to see in things only that which corresponded with his thought.

Depth Perception: George Bataille’s “Tears of Eros” observations

As when he asserts that apes and all animals by extension have no concern for their dead, and when he says that apes have no sense of humor. These are only quibbles, but were enough to form chinks in the armor of his thoughts; but then again, Bataille is not concerned overmuch with logical argument, being more an aesthete or a poet, so in a way these chinks only make his thought even more authentic to me, as passion trumps logic any day.

View all 30 comments. Aug 13, hanne rated it it was amazing. I absolutely bought this book because the cover matches my favourite blue nail-polish exactly. Dec 12, Matthieu rated it really liked it. Originally given three stars back in ’08 read in September ofbut after a second reading, I’ve decided to add an additional half-star rounding up to four.

Bataille’s a strange cat. Despite some fascinating information here e. Nov 04, Tosh rated it it was amazing Shelves: Georges Bataille’s great illustrated book on the connection between eroticism and death.

The two doorways one can’t avoid, yet we are drawn to its power. One of the great poetic essayists, Bataille is sort of like the moment one wakes up from a feverish dream. You have a memory of that dream, but then you are not fully awake. I picked this up due bataillf a search for a better understanding of tars attitudes and life. I grew up with views from religions and schools about abstinence from sex while coping with my own libido instincts.

This book liberates me as bataaille human to understand why humans bxtaille sexual impulses; why death is not as scary even without batallle religion; and finally why I find myself comfortable in expressing my sexual thoughts while living amongst Asians who are mostly conservatives. Apr 15, Megan rated it really liked it. In teas with the mysterious cave oof Battaille describes as the birth of art- a pivotal moment when early humans first link eroticism and death.

Oddly appropriate to the work I am doing now The visual aids add wonderful charm to the dry or maybe just french? Nov 02, Brian rated it it erls amazing. I read it and laugh. Only in the face of horror does the fragmentary totality of being become uncovered Nov 09, Lisa rated it really liked it. This book disturbed even me. My first excursion into the world of Bataille. As such, my first impression is that this is a writer who is trying to write a truly Nietzschean form of history.

And I celebrate that. Although this particular attempt is, when read in pure isolation, something of a failure, i have a feeling the failure is somewhat mine, as it’s obviously intimately connected with a previous work called ‘Eroticism’ which i haven’t read. Still, as a impetus to explore and discover more by Batille, this text is an un My first excursion into the world of Bataille. Still, as a impetus to explore and discover more by Batille, this text is an unquestionable success, as i’m compelled now to uncover more.

An unorthodox study of erotism and its relationship to death and the chthonic throughout history with ample of examples in art, from the cave paintings to photography. The best part to me it’s the conclusion, where Bataille points out the ecstasy in voudon ritual animal sacrifices and the agony of a tortured man in China, he sees in those two examples the inescapable link between Eros and Thanathos. Nov 18, Michael rated it liked it.


I am tezrs really all that interested in most of Bataille’s philosophy, and this book is not particularly different. Teqrs taboos and the exploration of the relation between love and death becomes more and baaille romantic and less and less philosophically compelling as you continue to read his works. Nov 16, Jenny Gonzalez- Blitz rated it really liked it Shelves: Illustrated with lots of my favorite art pieces Goya, Fusili, Durer,etc.

Jan 27, Izabela rated it really liked it. Jun 03, Becky Finley is currently reading it Recommends it for: This is an eating your peas and carrots art theory book with a creepy edge. Jul 12, Ash rated it it was ok Shelves: Interesting artwork, but it was translated awkwardly, the writing style differs from “The Story of the Eye. Nov 06, K. Un poco oscuro, muy Bataille.

Nov 27, Christine rated it liked it. Sep 27, Philip Bardach rated it liked it. I like books with pictures. However, I probably should’ve read Erotism first.

Nov 02, Egor Sofronov rated it liked it. A sprint run through art history for the search of the kinky. Oct 23, Cesar Armenta rated it really liked it.

Jul 26, Elizabeth Timme rated it it was amazing Recommends it for: This was the first Bataille book I ever read, so so good.


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A poem by Katerina Gogou. What I fear most is becoming “a poet” Locking myself in the room gazing at the sea and forgetting I fear that the stitches over my. Katerina Gogou was born in Athens on the first of June and spent the first years of her childhood in the harshest conditions of the Nazi. Katerina Gogou () was a Greek anarchist poetess who is a representative figure of the ’80s radical political and cultural scene of.

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Violence is engendered by Violence. Kateirna life and act on it. Anarchy refuses self-justification in constitutional forms e. It is as gesture, as a permanent bringing forth and support of itself, an ethics. O clear intelligence, force beyond all measure! When the laws are kept, how proudly his city stands! When the laws are broken, what of his city then?

Never may the anarchic man find rest at my hearth, Never be it said that my thoughts are his thoughts. We share a short biography of Katarina Gougou by taxikipali, along with a selection of her poetry, posted on libcom. Music by Kyriakos Sfetsas. Until today Gogou remains the bete-noire of modern poetry in Greece with only one poetic anthology including her groundbreaking heretical work.

However, her poems have become an indivisible part of the radical culture of the country and of the public imaginary of Exarcheia. The biography presented below is based on the book of Sryratou as well as on several reviews of her life and work in literary magazines like Odos Panos Vol. The book not being available in greece, I have provided my own translations to her poems with asterisks for explanations on notions and places apologies for my literary sloppiness in advance. The original format of the poems is generally preserved, but no titles are given as her poems had no titles.

Links to videos of Gogou reciting them are given katrina available. Katerina Gogou was born in Athens on the first of June and spent the first years of her childhood in the harshest conditions of the Nazi occupation when famine due to conscription of all edibles led to hundreds of thousands of deaths in Athens. This is the gang-war. Grrrrreeks with big hats, I know, they called them republicas.

Square, biiiig, with long coats and gabardines, they had guns in their pockets, maybe more guns inside. With their hands in their pockets they shot other Greeks and they walked fast as if in a great hurry or as if someone was chasing them.

I wanted -they did not let me, they said- to go out. In our corner, Lambrou Katsoni and Boukouvalla, piles of kzterina cats and famine corpses -they called them trash- parents and children. I saw through the glass a bullet hitting my left hand palm, blood and the trash breathing. He was covered there, holding a machine gun, he had a short blond beard and long blond hair. gogku

Katerina Gogou on Spotify

He looked like or was the Christ. I took a deep breath to run fast. Katerona was already home. Her teenage years were spent in down-town Athens of the post-Civil War monarchy, an era of strict censorship, police terror, and exile island camps filled with political prisoners.

It was the birth of the Teddy Boy gogku in Athens, which was soon to be ruthlessly bogou by the Law No. A few years later Katerina Gogou, already working in theatre, graduated from high school and enrolled in a series of drama and dance schools of Athens. Within the strict censorship of the post-civil war monarchy, the only place she could make a living as an actress was the greek comedy industry, a major factor in the social reproduction of statist, capitalist and patriarchal values at the time.

The roles ascribed to Katerina by Kaferina Films, her employee company, were usually the secondary role of the naive domestic servant, or of the silly little sister, or of the undisciplined school pupil. Then he was motionless, But they were already on their way. He was still, But they had materina taken the trolley-bus, and gone. Many of her early poems talked about a world that greek society, including the late s ideologically dominant left, ignored or wanted to ignore: The legs open by themselves Like dead oysters The street is filled with coloured underwear Pakistanis 3anti-mosquito chemicals, limping women, snitches And faggots injecting their breasts Filled with carcinomas.

Enraged citizens 5 and religious groups have made a pact.

They brought bottles And petrol. They will soak you. They will burn you, they say. Like rats, they say.

Gogou, Katerina: Athens’ anarchist poetess, 1940-1993

Armoured vans filled with policemen Impotent voyeurs, the doctors of the Vice Department Crabs are taking a stroll all day on your brain The whistle boys are the syphilis of your sleep — whose side are they on. Here we burn the witches. We fuck the whores. As for her ideal woman figure, she was a revolutionary nonetheless, but a revolutionary unfit for the leftist heroicism of the republican era [Metapolitefsi]:.

The last time she was spotted at the same date and year in three different places — based on valid information the blown up bridge of Manhattan the delivery of weapons to anarchocommunist movements as well as the exportation of top secret state information are to be attributed to the same person.

She is believed to be wearing a red or black military woolly jumper childish pearl ribbons in her hair with her hands in the pockets of a borrowed jacket. To all patrol cars Attention she is armed. The end of the s was a time when the initial post-junta revolutionary chic was giving way to more substantial and contradictory urban cultures and movements, with many workers breaking free from the unions and the left, mass factory occupations, the first occupations of universities and a ferocious armed struggle against unpunished agents of the junta, with the far-right responding with bombs in cinemas, squares and leftist offices.

Gogou was a true prophet of this unexpected political and social development, and her poems got to be respected exactly for that:. Up and down Patission 6 Our life is Patission.

But we are still there. All our lives hungry we travel The same course. Only when it rains We suck secretly on our thumb. Our life is Pointless panting In set-up strikes Snitches and katerinz cars.

Lets not sell our skin so cheeply, damn it! At the final years of the s Gogou gogpu in cinema, this time however in radically different roles than the female stereotypes of her earlier career. For her role Gogou was awarded the best female actress award in the Salonica Film Festival. Katerima film sought to depict the life of Nikos Koemtzis: The Koemtzis case became a celebrated issue in mid and late s greece, representing a figure-out-of-time, a man obsessed with his honour in a society that was moving to an altogether different ethical code.

The recital and musical score won the best music award in the Salonica Film Festival and was iaterina published in vinyl to become one of the musical fetishes of radical culture in the s. It remains today one of the boldest attempts of combining poetry with music in greece. The best known poem recited during the film has direct political implications for the state of things in republican greece. She does not stroll abstractly and self-content Shaking her hips in concert halls And in frozen museums.

Loneliness Has the colour of Pakistanis, this loneliness And she is counted goou by inch Along with their pieces In the bottom of the light-shaft. Wake up to see it.

She is a whore in the rotten-houses The german drill for conscripts And the last Endless miles of the national highway towards the centre In the suspended meats from Bulgaria. And when her blood clots and she can take no more Of her kind being sold so cheaply She dances barefoot on the tables a zeibekiko Holding in her bruised blue hands A well sharpened axe.

Loneliness, Our loneliness I say. The title of the collection referred to Law No. The accusations came as the youth of the Party, KNE, had formed a special force, the Communist Youth for the Restoration of Order KNAT rhyming with MAT, the riot police that used to brutally repress any attempt at autonomy and anti-police violence during the first university occupation of The university occupations against the educational law No.

By Gogou was deeply involved in the sprouting anarchist culture of Exarcheia where the first Athens squat appeared on Valtetsiou street in Two years earlier, inGogou played a central role in the big concert against police repression in Sporting, where many singers at the time took part. The concert was in demand for the immediate release of Philipos and Sofia Kiritsi, two anarchists imprisoned as terrorists by the regime.

The Kiritsis affair was the first emblematic anarchist repression case, and played an important role in the creation of the milieu via the solidarity movement that arose for the liberation of the comrades. Naturally, the concert ended in riots with over people arrested.

It was the first rock concert in greece after the Rolling Stones concert during which the junta had ended it, with the police entering the stage and beating the band manager after Mick Jagger threw carnations to the audience, an act deemed to be a conspiratory communist signal by the cops. During that warm night of Marchwhile all universities were occupied, 2, young people stormed the stadium with no tickets leading to extended clashes with the police across Patision and Aharnon avenues.

The mid s was a time of fierce gay liberation struggle in greece. Only a few years before, inthe right wing government had proposed a law for the displacement of homosexuals to barren island camps. The law was overturned only by way of mass grassroots reaction as well as international pressure from intellectuals like Foucault and Guattari.

The struggle against the displacement law was the cradle of the gay liberation movement of the s mostly led the leftist group AKOA.

The most militant part of the struggle however was played by transvestites this was their self-referential term who even clashed with riot police forces. Sonia was an anarchist transvestite closely related to Paola, the leading anarchist trans figure of the decade who published Kraximo [Heckling] a transvestite anarchist magazine that led her to numerous arrests. Gogou herself was a consistent victim of police violence and arbitrariness. In she pressed charges against General Drosoyannis, the notorious Minister of Public Order of PASOK, after being brutally beaten by riot policemen during one of the numerous anarchist marches of the time.

You wear an all-white suite and linen shoes. You bend, you tenderly put 72 coins in my palm and you leave. I have stayed in the same position where you left me, so that you can find me again. But a long time must have passed because my nails Have grown long and my friends are scared of me. Every day I cook potatoes. I have lost my imagination. I have kept some newspaper clippings about a man they claimed was you.

I know the papers lie, because they say they shot you in the feet. I know they never aim at the feet. The mind is their target.

Hold it together, eh?


Paalel njuumri by Aboubacry Moussa Lam(Book) 3 editions published in in Fula and Undetermined and held by 15 WorldCat member libraries worldwide. 7 Results Le Sahara ou la vallée du Nil: Aperçu sur la problématique du bureau de lunité culturelle de lAfrique Noire. 1 Jan by Aboubacry Moussa Lam. Le Sahara ou la vallée du Nil: Aperçu sur la problématique du bureau de lunité culturelle de lAfrique Noire. 1 Jan by Aboubacry Moussa Lam.

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BHEL Haridwar block 2 heavy fabrication, training report Summer Training Project Report on EMPLOYEE MOTIVATION OF BHEL EMPLOYEES. This project report has been made as a part of the industrial training the least; I would like to thank all the staff members of B.H.E.L. Block-4, Ranipur, Haridwar. Training Report on Manufacturing of Turbo Generator at BHEL Haridwar .. BLOCK-4 CIM (Coil & Insulation Manufacturing) & ACG (Apparatus control Gear) v. .. undertaken summer training in Bharat Heavy Electricals Limited, Haridwar.

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BHEL REPORT | juhi agarwal –

If you wish to download it, please recommend it to your friends in any social system. Share buttons are a little repodt lower. Published by Godfrey Gordon Modified over 2 years ago. First plant was established in Bhopal in ; in Haridwar in January, Today BHEL hzridwar 14 manufacturing divisions, 9 service centers, 4 power sector regional centre and about project sites.

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In “Words for a Salsa” (“Letra para salsa y tres soneos por encargo”), Vega creates a hillarious sketch of the boy-picks-up-girl cliche by distancing the popular. a la opresión de los trabajadores por las empresas hispanas dominadas por a Summer Night) “Letra para salsa y tres soneos por encargo” (Letters for the. En el cuento “Letra para salsa y tres soneos por encargo” es quizá donde la parodia aparece con mayor claridad. Al inicio del cuento Vega emplea el lenguaje.

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Antonio Gil de La Madrid. Ana Lydia Vega, escritora.

Ana Lydia Vega | Revolvy

Ana Lydia obtiene su bachillerato en artes en el Robert es profesor y poeta. Su hija Lolita es bailarina de ballet y estudia lenguas extranjeras.

Fiesta patronal de nalgas. Rotundas en sus pantis super-look, imponentes en perfil de falda tubo, insurgentes bajo el fascismo de la faja[ Tanto este ejemplo como el anterior tienen un claro componente sexual que es-tudiaremos en el apartado referente al chiste tendencioso.

En el cuento “Encancaranublado” la autora elige para narrar su relato la tercera persona omnisapiente. Alberto Paredes nos dice respecto de esta voz narrativa lo siguiente. Es el narrador omnisapiente: Dispone su discurso de acuerdo con un dominio pleno de sus elementos. Sin embargo, a poco que reflexionamos al respecto percibimos la intencionalidad de esta falla; me explico.

Lo cual nos orienta a comprender que la “falla” es en realidad una burla a la infalibilidad del narrador en tercera persona. En este texto, Marta, la narradora de la historia, que no la protagonista, remarca el su-puesto amor que le inspira, su sobrina.

Sin embargo, al final del relato comete un error que delata sus verdaderos sentimientos. Al firmar la carta dirigida a su “amada” sobri-na invierte las tradicionales palabras de despedida, con lo cual, da a su misiva un sentido contrario al que mantuvo a lo largo de la misma-: Por un breve lapso el lector, como los personajes, muestra cierta torpeza.

Freud ubica el componente sexual u obsceno dentro de los “chistes tendenciosos”, y los hermana con los chistes hostiles. Volvamos ahora al cuento “Letra para salsa y tres soneos por encargo”.

Cerebros retroactivos no ayudan[ No hay brujo que levante ese muerto.

Ana Lydia Vega

De hecho, toda la literatura veguiana utiliza frecuentemente la parodia y la paradoja. La parodia porque utiliza el lenguaje creado para una circunstancia distinta a la que nuestra autora le asigna.

En este sentido nuestra autora utiliza el humor como un arma que ridiculiza al enemigo.


Irish author Kostick’s powerful debut imagines an agrarian world Epic. Conor Kostick, Author. Viking $ (p) ISBN Generations ago, violence was banned on New Earth. Society is governed and conflicts are resolved in the arena of a fantasy computer game. Read “Epic”, by Conor Kostick online on Bookmate – #WELCOME TO EPIC: PRESS START TO PLAY#. On New Earth, Epic is not just a computer game, it’s a .

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When Erik, seeking revenge for the unjust treatment of his parents, dares to subvert the rules of Epic, he kotick his friends find themselves up against with the ultimate masters of the game: But if they lose. Watch a Mostick trailer for this book. On New Earth, a world based on a video role-playing game, fourteen-year-old Erik pursuades his friends to aid him in some unusual gambits in order to save Erik’s father from exile and safeguard the futures of each of their families.

The book all in epix was a pretty good book, but I feel like I didn’t get the info I wanted. Slowly through out the book you learn more about epic but in the beginning I was really confused. If you managed to get through the beginning it was a great read though.

Epic (Kostick novel) – Wikipedia

Account Options Sign in. Society is governed and conflicts are resolved in the arena of a fantasy computer game, Epic.

If you win, you have the chance to go to university, get more supplies for your community, and fulfill your dreams; if you lose, your life both My library Help Advanced Book Search. PenguinMay 15, – Young Adult Ksotick – pages. Generations ago, violence was banned on New Earth.

If you win, you have the chance to go to university, get more supplies for your community, and fulfill your dreams; if you lose, your life both in and out of the game is worth nothing. Selected pages Table of Contents. Epic Ksotick Kostick No preview available kkstick He lives in Dublin where, having completed a Ph.

D on the subject of the crusades, he now teaches medieval history at Trinity College Dublin.

He has published widely on history, culture, and politics, including coauthoring The Easter Rising: Epic Conor Kostick Limited preview –


for a sequential design of the turbine parameters, taking full advantage The Michell-Banki turbine is an impulse turbine optimized to work with. Cross flow micro turbines are environmentally friendly equipment. A low head Banki turbine is studied in this paper numerically and experimentally in order to. PDF | Cross flow micro turbines are environmentally friendly equipment. A low head Banki turbine is studied in this paper numerically and experimentally in.

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This article is intended to help you build your own cross-flow turbine, also known as a Mitchell-Banki turbine. Mitchell is the original inventor of the turbine around Banki took up this design and explained its theory of operation in The results of the experiments were produced in this document titled the Banki Water Turbine by C.

The low efficiency that Mockmore and Merryfield achieved may be due in part to the nozzle design; the Banki nozzle was close coupled to the turbine such that the nozzle outlet pressure may have been higher than atmospheric, as compared to the Mockmore and Merryfield design that came in at atmospheric pressure. Their nozzle is also close-coupled and the water enters ban,i turbine blades perhaps being responsible for the higher efficiency. Lately, I have come across a paper by W.

Fay titled “Some fluid characteristics of a cross-flow type hydraulic turbine”. You can download this paper here: The web site where I discovered this paper is: This paper shows that the cross-flow turbine can be unstable at certain flow rates and that cross-flow through the turbine does not always occur.

Banki Turbines – Hydro – IREM power quality, turbine idroelettriche, illuminazione professionale

The other reason to consider it is easier to build than to the Pelton. A cross-flow turnine is a type of turbine that is suitable for low head high flow applications. This is probably a more frequent application than the high head low flow application for which a Pelton turbine is designed. Also a homeowner can more easily build a cross-flow turbine because the turbine blades are a simple shape compared to the complex buckets of the Pelton turbine, however you can buy a Pelton wheel only.

Cross-flow turbine

How much flow is available? This is the first item to consider.

It is beyond the purview of this article to explain how to determine this but I think that most people will be able to determine whether it is suitable to tap their water source with a 2″, 6,” or 10″ diameter pipe.

This web site will give you some ideas as to how to go about it:. This article will be based on the information provided in the C. The remarkable thing about this design is that the water jet enters the turbine tangentially, goes through the blades of a simple circular section, crosses the inside of the turbine and impacts the blades on the other side at an angle that allows more power to be extracted from the water jet. Here is a nice image of the turbine which I borrowed from Joe Cole’s website for which I am grateful and will ask for his permission to use when I manage to reach him.

The following image shows the passage of the water jet through the turbine. The centerline of the water jet is shown as the dashed red line.

Design and calculations for the cross-flow turbine

The water strikes the turbine blade rotating the whole turbine wheel. This rotation moves the water jet forward until it tkrbine passed over the blade and fallen through the center of the turbine. Before we get into the details as to how to size ganki turbine and how to determine the power available from the water jet, there are certain geometrical constants that make a cross-flow turbine what it is and thereby ensure that you get close to it’s highest possible efficiency.

These features are shown in Figure 4. The water jet angle to the blades should be 16 degrees with respect to the tangent at the point of contact more about the width of the water jet later. The leading edge of baki blade should be at 30 degrees to the tangent at the point of contact. The trailing edge of the blade is radial, that is all the trailing edges point directly to the center.

The blades are made from circular sections of radius rb and the spacing t will be calculated depending on the overall diameter d 1 of the turbine.

I am merely extracting from that document the relevant formulas that are used for sizing the turbine. We will start our turbine sizing using an outside diameter of 12″. I will be using the Imperial system of measurements. You can visit their web site banku Dimensions and power extraction capacity of the cross-flow turbine A cross-flow turbine is a type of turbine that is suitable for low head high flow applications.

This web site will give you some ideas as to how to go about it: Water flow through the cross-flow turbine. Critical geometry of the cross-flow turbine.


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